PUBLICATIONS
Der Greif Guest Room: “"Wortbildsalat / word-image-salad."
Berlin, Germany
Christiane Monarchi (@cpmonarchi), the founding co-editor of Hapax Magazine (@hapaxmagazine) and founding editor of Photomonitor (@photomonitor.co.uk), teamed up with curator Eva Eicker (eva_eicker), an expert focusing on social and cultural issues for critical engagement with contemporary photography. Together they have designed the theme: “Wortbildsalat / word-image-salad” as an invitation to create a communal poem.
Online feature at https://dergreif.org/guest-room/christiane-monarchi--eva-eicker
Der Greif Guest Room: "Response-ability — Touch/Change — Otherwise".
Berlin, Germany
“What can photography offer in moments of precarity — a visual blanket, shield, or embrace? “ This was the open call by @der_greif. Curated by writer & scholar Renée Mussai @mussairenee who pursues a special interest in Black feminist and queer visual arts practices, has chosen to collaborate with Belinda Kazeem-Kamiński @bel.kamkaze , a writer, artist & artistic researcher engaging in a process-oriented practice that deals with the condition of Black life in the African diaspora.
Online feature at https://dergreif.org/guest-room/rene-mussai--belinda-kazeem-kamiski
Wordgathering: A Journal of Disability Poetry and Literature (ISSN: 2690-7089)
Syracuse University
It was an honor being featured on this Art Journal and getting to talk with Diane R. Wiener for this two part interview. This was an enlivened conversation between Jennifer Cabral, the poet Diane R. Wiener and artist Chanika Svetvilas.
This interview was published on the lastest issue of Wordgathering: A Journal of Disability Poetry and Literature (ISSN: 2690-7089). This is a digital, Open Access journal of disability poetry, literature, and the arts by Syracuse University.
Diane R. Wiener is Founding Director of the Syracuse University Disability Cultural Center (2011-2018) and now serves as a Research Professor and as the Associate Director of Interdisciplinary Programs and Outreach at the Burton Blatt Institute (Syracuse University College of Law); she also teaches in the Renée Crown University Honors program. Diane has published widely on disability, pedagogy, and empowerment, among other subjects. She is a proud Neuroqueer, Mad, Crip, Gender Nonconforming, Ashkenazic Jewish Hylozoist Nerd (etc.). Diane blogged for the Huffington Post between May 2016 and January 2018.
April 29th, 2021
Artist Talk Magazine
United Kingdom
So glad to be part of this issue with my series of photographs Membranes.
This @artisttalkmagazine issue is dedicated to Art in Isolation, artists responses created during COVID-19. Everyone featured within this issue has given interesting, in-depth, honest accounts about themselves, their work, views and ideas.
Sep. 15th, 2020
quarterly journal in Art Criticism
I am celebrating the inclusion of my work Conceptives on Contemporary Identities - issue #7 an independent quarterly Art magazine. Through short art reviews from scholars, art writers and art critics ContemporaryIdentities offers a space for experimental and progressive contemporary artists.
Efforts by Iranian artist Dr. Elham Shafaei and Italian artist, Sara Berti to establish multicultural dialogues through the creation of this publication have been recognized by the inclusion of ContemporaryIdentities into the Arts and Society Database - a collective of various institutions to promote Arts and the Humanities, including UNESCO-MOST. This database intends to map multidisciplinary cooperation utilizing arts as tools for critical thinking and social transformation.
Conceptives was a year long project of self-discovery and interactivity with my own feminine cycles. I will use the release of this publication to spread the concepts of this project once again with my audience.
May 5th, 2020
LANDSCAPE STORIES Blog #30
Project MINE_IRA is being featured on Landscape Stories. This is an independent Italian publication created in 2010 that has since established itself as a relevant channel to the presentation of fine art contemporary photography.
The proposal of their current issue #30 is on Archives. The librarian in me is delighted to be part of it.
“The archive fulfills the fundamental function of conservation, selection and accessibility. All of us then, voluntarily or not, always glean from the personal archive, buried and at rest in the immaterial rooms of our memory. Taking for granted the value of collective expression of a community's cultural memory, art in its best cases is capable of causing short circuits or inspiring reflections. When did we start to get interested in archives? Why does contemporary photographic research frequently make use of reinterpretation of archival materials? Which roles, meanings and forms has the archive issue assumed in contemporary practice? The results are changeable: from the vernacular to private family albums, from the object trouvé to mixed media.”
Jan 7th, 2020
INTERVIEW AT SHADES COLLECTIVE
Baltimore, MA
I was featured on the series “Take Our Seat”, where Shades Collective highlights those pursuing creative and academic goals, while paving the way to further the representation of marginalized individuals within the arts and humanities. SHADES COLLECTIVE (est. 2019) is a multidisciplinary online publication dedicated to fostering mindful, equitable, and intersectional exchange and scholarship. It was dedicated to furthering the representation and education of BIPOC in personal or professional pursuits of creativity. After the closing of their website, excerpts of this interview are available here.
Oct 28th, 2019
URBANAUTICA | Journal of Visual Anthropology
MINE_IRA is now part of the archives of @urbanautica journal - an independent publisher in Italy working on photography, visual anthropology and cultural landscapes created by Steve Bisson. Thank you for the special mention on such a relevant subject : EXTINCTION. OR THE WORLD WITHOUT US?
“Works regarding a pressing problem of crucial importance. Human destruction of the living world is causing a “frightening” number of plant and animal extinctions, according to a growing number of scientists, studies, publications, and reports. In the last century, the awareness that human activities are harmful to the environment, to life in general, including that of humans has increased. Wars, climate change, diseases, pollution, technological escalation, deforestation are just some of the threats that challenge the survival of the species.
A great deal of literature and cinema have also contributed to this dystopian vision of the future. Even to imagine a "world without us". For these reasons, we are eager to discover and spread photographic and/or visual projects that nourish, document, develop, interpret, tell and question the theme of extinction.”
Jul 2nd 2019
Der Greif | Guest Room
Berlin, Germany
Honored to have project MINE_IRA featured at Der Greif. Thanks to curators John Fleetwodd and Eric Gyamfi.
Guest Room is a monthly online exhibition with open submissions curated in real-time by personalities from the international photography scene. Guest Room aims to spark collaborations. That’s why John Fleetwood is teaming up with Eric Gyamfi, a photographer based in Ghana in chosing the theme for this installment. Eric Gyamfi has provided the following quote as the theme/subject:
“Perhaps I was looking for something that refuses to be photographed. I was only chasing shadows, perhaps”
~ From the monograph ‘Chasing Shadows’ by Santu Mofokeng.
Sept. 15th, 2002
BOOK: HERE IS NEW YORK
Publisher Scalo Verlag, Zurich. (2002).
Scalo Verlag, founded in 1991 was a publisher of high-quality books on the work of internationally known contemporary artists and photographers, with the added twist of offering gallery exhibitions and fine art prints.
A photograph by Jennifer Cabral was published in their book that memorialized the spontaneous non-profit exhibition of photographs from September 11th that raised money for family victims through the Children’s Aid Society 9/11 Fund.
Lean more about editor Alice Rose George (1944-2021) publisher Walter Keller (1953-2014) who made this publication possible.
An exhbition review is available on The New York Times of October 9th 2001. Read here.